Abstract

Margaret McKay Tee (1882-1955) came to New York from Cripple Creek, Colorado in 1902 to attend Cooper Union. Frank Alvah Parsons later hired Tee as a student instructor at the New York School of Art. After returning to Colorado, Tee carried on a correspondence with Parsons. Tee's papers include letters from Parsons, photographs of Tee's paintings, and an autobiographical essay relating Tee’s upbringing and her experiences as a young art student.

Summary

A student notebook kept by Marion Reed, who attended Parsons School of Design's Paris Atelier in the summer of 1927. The notebook contains lecture notes, postcards and class handouts.

Summary

Mary Frances Gettrust graduated from the New York School of Art (later, Parsons School of Design) in 1939 with a diploma in Costume Design and Illustration, and served as an instructor of Costume Illustration at Parsons in the 1940s. The collection consists of a partial student notebook of costume sketches, printed samples of Gettrust's work as a fashion illustrator, correspondence from Parsons Alumni Association, and Parsons-related ephemera.

Overview

William Merritt Chase established Parsons School of Design in 1896 as the Chase School of Art. The name of the school changed to the New York School of Art in 1902, and to the New York School of Fine and Applied Art in 1909. This charter documents the 1909 name change. In 1940, the school was renamed Parsons School of Design in honor of former President Frank Alvah Parsons and to differentiate it from other, similarly named institutions.

Summary

This collection consists of publications from Parsons New School of Design and its affiliate programs, including catalogs for overseas schools, and continuing education and AAS programs. Catalogs hold information on school policies and admissions requirements, course descriptions, faculty rosters, and examples of student work. Materials for the years 1896-1912 consists primarily of photocopies of print advertisements for the Chase School of Art.

Abstract

Includes 1,425 photographs, contact sheets and negatives documenting Parsons student and campus life, including exhibitions, award and fashion shows, guest lectures, field trips, and campus construction projects.

Abstract

This collection consists of correspondence, clippings, and research related to the Parsons table, a conceptual table design thought to have originated at the Paris Ateliers, the precursor to Parsons Paris, in the 1920s or 1930s and often attributed to French designer Jean-Michel Frank (1895–1941). The materials were assembled by the New School Archives staff as part of a Parsons School of Design Design and Management Department project in 2002.

Summary Raymond S. Waldron, Jr. (1913-2002) attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1938-1941. After serving in World War II, Waldron worked for Lord & Taylor. In 1965, he established his own interior decoration firm. The collection includes his student work, a travel sketchbook, and professional files. Waldron's student work includes notebooks, instructor handouts, sketches and renderings, and tracings. A travel sketchbook...

Abstract

Roselaine Boylan studied graphic design and illustration at Parsons School of Design in the late 1920s-early 1930s. The hand-drawn commercial artwork in this collection represents five assignments from her classes.

Summary

Violet Holsinger Mueller (1907-2003) studied fashion design at the New York School of Fine and Applied Art (later, Parsons School of Design) from 1926 through 1929. She worked as an interior designer for Stix, Baer & Fuller, a St. Louis-based department store, and founded her own design consultancy in Belleville, Illinois. Her papers include personal materials, and documentation created during her studies at Parsons and her design career.