Scope and Contents In the first of two segments, a male speaker, probably Benedict (Ben) Fernandez introduces Arthur d'Arazien. D'Arazien describes his career in corporate and industrial photography, after which he shows photographs from the mid-1940s through the 1980s. He shares stories of the challenges behind each picture and discusses techniques he used to achieve desired effects. The presentation finishes in the second segment, and is followed by a question and answer session.Inscription: Art...

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Rebecca Blake begins by showing a film representing her work on various personal and commercial film projects. She shares her stories about her work, as well as her experiences with sexism in the world of professional photography. She then speaks on the interplay between her commercial and personal work and touches upon the business aspects of the profession, including learning how to collaborate with and manage people effectively. Workshop participants ask questions throughout.

Scope and Contents Ann Blevins discusses her career as a stylist and her collaborations with photographers. (The spelling of Blevins's name has been surmised based upon an internet search, but has not been confirmed.) The focus of Blevins's lecture is to provide photographers with insight into how stylists work and think. Blevins presents photographs and comments on them, relating behind-the-scenes stories about working with clients, location shoots, and the role of the stylist. Workshop participants ask...

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Dan Brennan discusses his career as an agent, primarily representing fashion photographers, hair stylists and makeup artists. He discusses how a photographer's portfolio allows him to judge whether he can "sell" the artist. He provides tips on building a competitive commercial portfolio and describes the agent's role in the industry.

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In the first of two segments, model David Brown discusses his career, including his partnership with his wife, model Judith Vance. He elaborates on his transition from model to photographer. He offers a historical overview of photography in New York City, discusses copyright and various aspects of running a successful photography business. Workshop participants ask questions throughout. The workshop continues in the second segment. The recording ends before the end of the event.

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Over the course of two segments, Knut Bry, a Norwegian fine art photographer, presents his work and discusses technical issues related to photography.

Scope and Contents In the first of two segments, hair stylist Christiaan Houtonbos discusses the process through which new looks emerge, change, and become dated over time. He offers professional advice on styling and speculates on future hairstyles. He then presents a slideshow of his work for fashion shows and converses with workshop participants about the images they are viewing together. In the second segment, Christiaan continues to discuss trends in hairstyles. Most of the recording is at a very low...

Scope and Contents In the first of three segments, makeup artist Antony Clavet discusses his life and work. Clavet relates his experiences with drag queens and strippers when he first came to New York City. Among other topics, he discusses his travels in Europe and the concept of beauty. He presents a slideshow, as well as clips from the David Bowie movie The Hunger, for which Clavet was the makeup artist. In the second segment, Clavet demonstrates his skills on one of the...

Scope and Contents Select magazine founder and editor and stylist Johno du Plessis discusses photography for publication and self-promotional images. He discusses the policies at Select magazine and reflects on the differences between commercial and artistic photographs. He demonstrates his points using slideshow of work by various photographers. Workshop participants ask questions throughout. Container John Duplessis 5/22/85 1A-1B - James...

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In the first of two segments, Wendy Goodman discusses the definition of fashion stylist and how she transitioned from working as a fashion stylist to becoming a fashion editor. She then presents a series of slides on her careers in advertising and editorial work, discussing the technical aspects of photography and the challenges of making editorial decisions. In the second segment, Goodman speaks about the importance of collaboration in her profession.