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This collection contains a series of filmed interviews with prominent actors, directors, and writers discussing their creative process. The series was hosted by Professor Karen Ludwig of The New School's School of Drama in front of a live audience of students.
The Activism at The New School oral history program, initiated in 2019, documents touchstone moments of activism on The New School’s campus from the perspective of students, faculty, and staff who participated. As of April 2020, interviewees include activists in the anti-Vietnam War movement; the 1996-1997 Mobilization for Real Diversity, Democracy, and Economic Justice at The New School; and campus protests in the 2000s-2010s.
Collection consists of Adele Mowton DuBreuil's diploma from the New York School of Fine and Applied Art (now, Parsons School of Design) in advertising display, a black and white photographic portrait of her after graduation, and 24 small, black and white photographic prints depicting her student graphic design work, 1917-1919. Most of the designs are advertisements for consumer goods; two are World War One propaganda posters.
Mary Adrienne Steckling Coen (1934-2006) graduated from Parsons School of Design's Fashion Design Department in 1958. In 1966, "Adri" --her professional name-- created her own line, designing under her own labels for the rest of her career. The records document Adri's professional life, with items arranged by year and season. Includes clippings and tear sheets, photographs, press kits, sketches, swatches, and video recordings.
Albert Hadley (1920-2012) graduated from Parsons School of Design in 1949 and served on the faculty from 1949 through 1954. Hadley later joined Dorothy "Sister" Parish to form the interior design firm Parish-Hadley. The collection includes correspondence, design and lecture notes, student work and a mock-up for a booklet.
Typographer Albert Schiller (1898-1970) created artworks using pre-cast metal type elements. The collection is comprised of 35 type pictures and printing samples featured in a 1976 exhibition at Parsons School of Design.
Includes prints numbered 43 and 184 from an edition of 220 created by Alice Halicka. Depicts the Place de la Concorde in Paris, including the Luxor Obelisk and a detail from the Fontaine des Mers, consisting of a naiad holding a fish.
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- Student projects 72
- Photographs 60
- Correspondence 59
- Administrative records 52
- Drawings 42
- Sketches 41
- Universities and colleges -- United States -- Administration 40
- Clippings (information artifacts) 37
- Fashion design 37
- Women's clothing 32 + ∧ less
- English 409
- French 28
- German 24
- Italian 12
- Spanish; Castilian 12
- Parsons School of Design 51
- New School (New York, N.Y.) 47
- New School for Social Research (New York, N.Y. : 1919-1997). Graduate Faculty 27
- New School for Social Research (New York, N.Y. : 1919-1997) 24
- New School (New York, N.Y.). New School Archives and Special Collections 20