Box 1
Container
Contains 51 Results:
Two exhibition catalogs (circa 1957), announcement and New School Observer photocopy regarding discovery, 1957-1959, 1985
File — Box: 1, Folder: 12
Dates:
1957-1959; 1985
Correspondence with Banco Central (Museo Camilo Egas) and printed materials, 1983-1988
File — Box: 1, Folder: 15
Scope and Contents
Includes correspondence to and from Dean Allen Austill, President Jonathan Fanton, and curator Kathleen Goncharov.
Folder includes an unbound monograph published by Museo Camilo Egas, which is similar to an older 1978 text, published by the Museo del Banco Central, held by the New School Archives and Special Collections that is not part of this collection. The layout and design of the two texts are similar but the works highlighted and text differ.
Dates:
1983-1988
Correspondence regarding conservation, 1983-1984, 1991-1998
File — Box: 1, Folder: 16-17
Scope and Contents
Includes correspondence with Dean Allen Austill, President Jonathan Fanton, Al Landa, and Paul Mocsanyi.
Dates:
1983-1984; 1991-1998
Caroline Tilden Bacon Room, black and white print (Photographer: Norman W. Chry), after 1931
File — Box: 1, Folder: 18
Dates:
after 1931
Ecuadorian Festival, black and white print (Photographer: Peter A. Juley & Son), 1932
File — Box: 1, Folder: 19
Scope and Contents
Image available online through Smithsonian American Art Museum.
Dates:
1932
Egas in the Caroline Tilden Bacon Room, black and white print (Photographer: Joe Covello/Black Star), 1951
File — Box: 1, Folder: 21
Dates:
1951
Egas working on Ecuadorian Festival, black and white print (Photographer: Peter A. Juley & Son), 1932
File — Box: 1, Folder: 22
Dates:
1932
Self-Portrait and Self-Portrait at Easel, black and white print and negative, 1955
File — Box: 1, Folder: 23
Scope and Contents
Image available online through Smithsonian American Art Museum.
Dates:
1955