The New School Archives And Special Collections

Abstract

These records contain student work, publicity materials, photographs, and audiovisual material from the Parsons School of Design School of Fashion's undergraduate and graduate programs, primarily the BFA Fashion Design program. To a lesser extent, the AAS Fashion Design and MFA Fashion Design and Society programs are also documented.

Summary

Consists of approximately 15,058 slides, primarily 1970s-1990s, documenting Parsons School of Design students and campus life. Many of the slides are images of student work. Other images include exhibitions, award and fashion shows, social events, guest lectures, field trips, and campus construction projects. Approximately one third of the slides represent Fashion Design Department-related activities.

Abstract

A collection of 4 x 5 inch color transparencies of work probably created 1970 through 1975 by Parsons School of Design students in the Communication Design, Environmental Design, Fashion Design, Fashion Illustration, General Illustration, and Graphic Design departments, including work that was exhibited in end of year shows and annual Society of Illustrators Scholarship Competitions.

Summary

Consists of Parsons School of Design syllabi compiled by the Office of the Dean in electronic formats between 2006 and 2014. While not comprehensive, approximately 20,000 courses are documented over a seven year period during which Parsons School of Design experienced a significant structural re-organization.

Abstract

This collection consists of correspondence, clippings, and research related to the Parsons table, a conceptual table design thought to have originated at the Paris Ateliers, the precursor to Parsons Paris, in the 1920s or 1930s and often attributed to French designer Jean-Michel Frank (1895–1941). The materials were assembled by the New School Archives staff as part of a Parsons School of Design Design and Management Department project in 2002.

Summary

Student work and a syllabus from two fashion design courses Patrick Michael Hughes taught at Parsons School of Design between 2007 and 2010. The courses, History, Culture, Society and Themes in Men's Fashion are repesented through notebooks, drawings, and papers. Additionally, the collection includes an independent study project based on the men's suit and a project created in a class taught by Hughes's colleague, Lisa SantaAndrea.

Abstract

This collection consists of music manuscripts created by composer Peter Pindar Stearns (1931-2016), who taught composition at The Mannes School of Music from 1957 to 1989. The manuscripts include both secular and religious works composed during the period from 1948 to 2013 and the collection also contains correspondence related to the publishing of Stearns's compositions and copies of the published works.

Abstract Political Concepts: A Critical Lexicon is an online journal of political theory based at The New School for Social Research, first published in 2012. The journal publishes short essays, from a range of disciplines within the humanities and social sciences, that aim to critically define a political concept. Political Concepts is also responsible for the annual academic graduate student conference of the same name, which also began in 2012 and follows a similar...

Abstract

Fashion illustration by René Robert Bouché depicting American fashion designer Sophie Gimbel. The illustration appeared in the April 15, 1961 issue of American Vogue with the caption, "Sophie's sari tactics for short evenings." A framed reproduction of this illustration hung at the entrance to Parson School of Design's Adam and Sophie Gimbel Design Library on West 13th Street. The portrait was taken down upon the 2014 closure of Gimbel Library.

Scope and Content of Collection

The collection consists of a copy of Prints in the Desert, 1950, a limited edition book of fifteen prints and poems created by a group of artists and edited by Adja Yunkers (1900-1983). Yunkers was a painter, printmaker and collagist who taught at the New School for Social Research, 1947-1956 and at Parsons School of Design, 1957-1958. The book includes prints by Yunkers.