Showing Collections: 1 - 10 of 15
Summary The collection consists primarily of course assignments in the form of a collage, presentation boards, photographs, and a watercolor rendering by interior designer Catherine Minkiewicz (1966) during her studies in Parsons School of Design's Interior Design Department.
Dates: 1964 - 1966
Abstract Edward Wormley (1907-1995) is often cited as one of the top 20th century designers of American modernist furniture. Beginning at the Dunbar Furniture Company at the age of 23, Wormley eventually became sole designer for the company and maintained a partnership Dunbar for more than three decades. In the 1950s, many of his designs received Good Design designations at the annual Chicago Merchandise Mart/Museum of Modern Art exhibition. Wormley taught at Parsons School of Design between 1952 and...
Dates: circa 1908-1991
Summary Giuseppe Zambonini (1942-1990) was an Italian-born and, for much of his life, New York-based, architect, interior designer, theater director, and teacher. This collection contains project material in a variety of mediums pertaining to Zambonini’s architectural and design career, as well as items related to his tenure as dean of the New York School of Interior Design (NYSID), founder and head of the Open Atelier of Design (OAD), and director of the architecture program at the Georgia Institute...
Dates: 1949 - 2013
Abstract Harry B. Baker (1868-1941) was an illustrator who taught at the New York and Paris branches of the New York School of Fine and Applied Art (which became Parsons School of Design) in the early 20th century. Before moving to New York, Baker traveled around the American West. He illustrated bar fights, cowboys, Native Americans, and street scenes. The collection includes photographs of Baker and his students, a letter from Frank Alvah Parsons, identity cards and papers, and illustrations by Baker,...
Dates: 1891 - 1946
Abstract Herbert Sondheim (1895-1966), who lectured at Parsons School of Design in 1946, ran a dressmaking business that produced affordable versions of Parisian high-end fashion. The collection consists of nineteen Herbert Sondheim, Inc. scrapbooks, the bulk of which contain fashion drawings and sketches. Included in some books are sketches depicting the work of Vionnet, Chanel, Molyneux, and other couture houses. The sketches were used by Sondheim designers as templates and inspiration in the early...
Dates: 1923 - 1947
Summary Jane Campbell Bannerman studied graphic design and illustration at the New York School of Fine and Applied Art (now Parsons School of Design), graduating in 1930. She worked for several New York-based firms, including McMillen, Inc., as a graphic and interior designer, and later opened her own textile design and interior decorating business. The collection primarily consists of student work, commercial design work, and travel watercolors, as well as clippings, photographs, and printed materials.
Dates: circa 1927 - circa 1990
Abstract A leading figure in the development of American ready-to-wear clothing, John Weitz (1923-2002) established one of the first American signature menswear lines. Through various licensing arrangements combined with self-referential advertising campaigns, he established an international consumer base. In addition to fashion design, Weitz pursued an array of other interests, becoming a successful race car driver, yachtsman, bestselling author and photographer. Weitz was a visiting lecturer at...
Dates: 1945 - 1998
Summary The collection consists of student work and related records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design between 1968 and 1970. In addition to project files for portable structures, underwater and outerspace habitations, and a one-piece plastic chair, the collection includes photographs, posters, and textual materials documenting the first Earth Day observances at Parsons.
Dates: 1968 - 2004; Majority of material found within 1968 - 1970
Summary Lea Hoyt (1912-1998) received a degree in graphic design from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1933, and went on to a six decade career as a graphic and textile designer. The collection includes biographical material, correspondence, design drawings, photographs, and examples of Hoyt's work, represented by napkins and paper plates, among other items.
Dates: 1933 - 1998
Summary The Lucie Porges fashion design papers include biographical materials, fashion sketches, fashion illustrations and fashion photographs, and teaching records. It is of a primarily professional nature, with little documentation of Porges's personal life. The primary activities documented are Porges's fashion design work for Pauline Trigère and her teaching activities at Parsons School of Design.
Dates: 1950 - 2011