The New School Archives And Special Collections

Summary

After graduating from Parsons School of Design in 1945, Margaret Hodge became director of fashion marketing at Vogue, and in 1967 formed her own fashion publicity firm. Hodge led various marketing campaigns integrating the fashion of Hollywood films. The collection mainly consists of Hollywood promotional material, including publicity photographs, press kits, announcements and tear sheets. Most of the material was produced from 1962 to 1976.

Summary

Consists of two illustrations completed by Margaret Schmid (1922-2001) for an advertising design course at Parsons School of Design. After graduating in 1947. Schmid, whose name changed when she married Paul Hartelius, Jr., went on to a successful fifty-year career as an illustrator and children's book author.

Summary

Margery Knight (1906-1994) taught figure drawing and fashion illustration at Parsons School of Design from 1946 to 1969. The twelve sketchbooks in this collection, dating from the 1950s to 1980, contain rapid figure and fashion sketches, lecture notes, and anatomy studies.

Scope and Content of Collection

The collection is comprised of Marty Spiegel's student work for Parsons' Environmental Design Department, which he attended from 1973 to 1976. Consists of course materials, correspondence, drawings and sketches, and printed materials, as well as digital reproductions of 35mm slides of Spiegel's work.

Abstract Michael Kalil (1943-1991) was an interior architect, philosopher, educator and artist, known for his innovative work with new materials and for humanizing digital technologies. From 1981 to 1991, he was the principal of Kalil Designs/Kalil Studio, a firm that specialized in high-profile commercial, prototype and theoretical, and residential design commissions. Kalil also served as an adjunct faculty member at the Parsons School of Design. The collection includes Kalil's...

Abstract

Mildred Orrick (1906-1994) graduated from the New York School of Fine and Applied Art (later, Parsons School for Design) in 1928 and went on to a career as a fashion and costume designer and illustrator, and designed part of the Futurama exhibition at the 1939 New York World's Fair. Orrick was a visiting critic at Parsons from 1947 to 1962. The collection consists of Orrick's fashion and theater costume sketches, 1920s-1950s.

Summary

Collection contains materials created by academic departments of Parsons School of Design. In addition to documentation of Parsons' main campus in New York City, includes materials originating from overseas facilities and affiliate schools, such as Otis Art Institute (California), Paris Ateliers/Parsons Paris, and Altos de Chavon (Dominican Republic).

Abstract

Contains the records of the Fashion Design Department of Parsons The New School for Design. Records include course syllabi and descriptions, look books, clippings scrapbooks, student work, and annual fashion benefit planning records, photographs, and programs.

Abstract

These records contain student work, publicity materials, photographs, and audiovisual material from the Parsons School of Design School of Fashion's undergraduate and graduate programs, primarily the BFA Fashion Design program. To a lesser extent, the AAS Fashion Design and MFA Fashion Design and Society programs are also documented.

Summary

Student work and a syllabus from two fashion design courses Patrick Michael Hughes taught at Parsons School of Design between 2007 and 2010. The courses, History, Culture, Society and Themes in Men's Fashion are repesented through notebooks, drawings, and papers. Additionally, the collection includes an independent study project based on the men's suit and a project created in a class taught by Hughes's colleague, Lisa SantaAndrea.