Abstract

The workbook that comprises this collection was used during the Amos Parrish Fashion Merchandising Clinic, held in New York City, January 6-10, 1930. The clinic was offered once and at times twice annually from the 1920s through 1955 to forecast the year's fashion industry trends. This workbook belonged to Howard Phillips, merchandise manager for Ernst Kern Department Store, Detroit, Michigan, and was annotated by Phillips.

Abstract

Carl Erickson (1891-1958), who signed his work "Eric," was a leading fashion illustrator whose drawings appeared in Vogue and Harper's Bazaar, among other publications. In 1964, Parsons School of Design hosted a retrospective of Erickson's work. The New School Archives' collection consists of fourteen works, possibly originating from that exhibit.

Summary

The Carol Loebelsohn fashion illustrations represent a sampling of the professional and teaching work of Parsons School of Design alumna and faculty member Carol Loebelsohn. The bulk of the over 150 illustrations covers the 1960s into the 1990s, and includes a variety of media and drawing techniques.

Abstract

Charles Le Maire (1897-1985) began his costume design career in vaudeville shows of the 1920s. He later served as executive designer at Twentieth Century-Fox. In the 1950s, Le Maire formed his own business from private commissions and film work, earning thirteen Oscar nominations and three Oscars for Best Costume Design. The collection contains seventeen Le Maire sketches, including work for the Earl Carroll Vanities (1924-1930).

Abstract

Chester Weinberg (1931-1985) graduated from Parsons School of Design in 1951 and served as visiting lecturer on fashion design there from 1955 to 1985. Weinberg established his own label in 1966. He later became a consultant and was named design director of Calvin Klein jeans in 1981. The collection contains a scrapbook of news clippings, fashion print ads, and photographs mainly chronicling Weinberg’s work from 1966 to 1975.

Abstract

This collection consists of one iridescent red dress and one light blue and white houndstooth shirt, both designed by Claire McCardell (1905-1958).

Abstract

Claire McCardell (1905-1958) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928 and later became a pivotal figure in American ready-to-wear fashion. In 1944, McCardell returned to Parsons as a critic and instructor, a position she held for the rest of her life. The collection contains roughly 9,000 of McCardell's sketches, dated 1931 to 1958; mostly produced for Townley Frocks.

Summary

Dan Arje (1923-1993) was a designer and display director for Bonwit Teller. The collection primarily consists of albums of photographs and news clippings about Arje's displays, and correspondence regarding his decorating work for the White House during the Kennedy and Johnson administrations, including decoration of the White House Christmas tree. Also present are materials about Bonwit Teller and Tiffany's designer Gene Moore.

Summary

Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear firm, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The collection contains photographs, sketches, clippings, advertisements, press kits, correspondence, and notes for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design, 1969-1970.

Summary Esta Nesbitt (1918-1975), an instructor at Parsons School of Design from 1964 to 1974, created fashion illustrations for Harper's Bazaar, Mademoiselle, and New York Times Magazine. Later in her career, Nesbitt used innovative printing methods as a children's book illustrator, and experimented with Xerography. The collection primarily consists of 271 fashion illustrations, pre-publication...