Subject Source: Library of Congress Subject Headings
Found in 31 Collections and/or Records:
Abstract The workbook that comprises this collection was used during the Amos Parrish Fashion Merchandising Clinic, held in New York City, January 6-10, 1930. Parrish's clinic was offered once and sometimes twice annually from the 1920s through 1955 to forecast the year's trends for the fashion industry. This workbook belonged to Howard Phillips, merchandise manager for the Ernst Kern Department Store, Detroit, Michigan, and was heavily annotated by Phillips during his week at Parrish's clinic.
Abstract Carl Erickson (1891-1958), who signed his work "Eric," was a leading fashion illustrator whose drawings appeared in Vogue and Harper's Bazaar, among other publications. In 1964, Parsons School of Design hosted a retrospective of Erickson's work. The New School Archives' collection consists of fourteen works, possibly originating from that exhibit.
Summary The Carol Loebelsohn fashion illustrations represent a sampling of the professional and teaching work of Parsons School of Design alumna and faculty member Carol Loebelsohn. The bulk of the over 150 illustrations covers the 1960s into the 1990s, and includes a variety of media and drawing techniques.
Dates: 1947 - 1994
Abstract Charles Le Maire (1897-1985) began his costume design career in the 1920s creating costumes for vaudevillian musicals and revues. Later, he served as executive designer for Twentieth Century-Fox. In the 1950s, Le Maire established his own business in Hollywood, taking private commissions and continuing his film design work, and earning thirteen Oscar nominations and three Oscars for Best Costume Design. The collection consists of seventeen Le Maire sketches, including work for the ...
Dates: circa 1924-1950s
Abstract Chester Weinberg (1931-1985) graduated from Parsons School of Design in 1951 and served as a visiting critic and lecturer on fashion design at the school from 1955 to 1985. Weinberg rose to fame in the 1960s, establishing his own label, Chester Weinberg Ltd. in 1966. He later became a consultant and was appointed design director of Calvin Klein jeans in 1981. The collection consists of a scrapbook containing news clippings, fashion print ads, and photographs primarily chronicling Weinberg’s...
Dates: 1953 - 1975; Majority of material found within 1966 - 1975
Collection — Box OSxxx-1: [Barcode: 31207034047336]
Abstract Claire McCardell (1905-1958) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928 and went on to become a pivotal figure in the creation of American ready-to-wear clothing. McCardell received the Coty American Fashion Critics Award in 1944, and in the same year returned to Parsons as a critic and instructor, a position she held for the rest of her life. The Kellen Design Archives has approximately 9,000 of McCardell's working sketches, covering...
Dates: 1931 - 1958
Summary Dan Arje (1923-1993) was a designer and display director for Bonwit Teller. The collection is primarily comprised of albums containing photographs and news clippings about Arje's displays, as well as correspondence regarding his decorating work for the White House during the Kennedy and Johnson administrations, including the decoration of the White House Christmas tree. Also present are materials Arje collected about Bonwit Teller and Tiffany's designer Gene Moore.
Dates: 1949 - 1981
Summary Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear company, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The d'Errecalde papers consist of photographs, sketches, news clippings, advertisements, press kits, correspondence, and notes and manuscripts for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design in 1969-1970.
Dates: circa 1940s-1981
Summary Esta Nesbitt (1918-1975), an instructor at Parsons School of Design from 1964 to 1974, created fashion illustrations for such publications as Harper's Bazaar, Mademoiselle, and the New York Times Magazine. Later in her career, Nesbitt employed innovative printing techniques as a children's book illustrator, created performance art pieces, and was one of the earliest to experiment with fine art...
Dates: 1944 - 1964