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Photographs

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "

Found in 49 Collections and/or Records:

Adele Mowton DuBreuil student work

 Collection
Identifier: KA-0071-01
Summary Collection consists of Adele Mowton DuBreuil's diploma from the New York School of Fine and Applied Art (now, Parsons School of Design) in advertising display, a black and white photographic portrait of her as a young woman after graduation, and 24 small, black and white photographic prints depicting her graphic design work from her time as a student, 1917-1919. Most of the designs are advertisements for consumer goods, although two are World War One propaganda posters encouraging the...
Dates: 1917 - 1923; Majority of material found within 1917 - 1919

Arnold Eagle photographs

 Collection
Identifier: NA-0004-01
Summary Arnold Eagle (1909-1992) emigrated to New York from Hungary in 1929. He became a documentary photographer in the 1930s and, in 1945, joined a remarkable roster of photographers hired by Standard Oil of New Jersey to produce a visual record of the benefits of oil in the lives of everyday Americans, and, in the process, creating an extensive photographic record of American life during the 1940s. Later, Eagle's work encompassed subjects ranging from modern dance to corporate workplaces. He also...
Dates: 1938 - 1962; Majority of material found within 1940 - 1949

Arthur J. Vidich papers

 Collection
Identifier: NA-0009-01
Summary Arthur J. Vidich (1922-2006) was a long-term member of the faculty at the New School for Social Research as a professor of Sociology (1960-1991). He published dozens of books, papers, and edited anthologies, notably Small Town in Mass Society: Class, Power, and Religion in a Rural Community (1958). This collection contains material documenting his teaching, writing, public lectures, and other academic and professional activities that spans his entire career,...
Dates: 1940 - 2005

Bea Feitler papers

 Collection
Identifier: KA-0014-01
Abstract Bea Feitler (1938-1982) graduated from Parsons School of Design in 1959 with a degree in Graphic Arts and Advertising. She went on to lead an illustrious career as a designer of books, magazines, posters, record album covers and more. Feitler served as art director for Harper's Bazaar and Ms. magazines; was consulting art director for Condé Nast, where she created the look for Self magazine; and...
Dates: 1920 - 1981; Majority of material found within 1960 - 1980

Bob Adelman photograph collection

 Collection
Identifier: NA-0014-01
Summary Bob Adelman (1930-2016) took photography classes with Alexey Brodovitch at The New School in the 1950s and became one of the photographers regularly documenting the life of the New School in the 1970s and 1980s. He also taught photography courses at the school. Adelman was one of the most well-known photographers of the Civil Rights Movement. The Bob Adelman photograph collection consists predominantly of black and white photographic prints taken for the New School for Social Research (now The...
Dates: circa 1960-1990; Majority of material found within 1970 - 1984

Bruce Buttfield renderings and photographs

 Collection
Identifier: KA-0007-01
Summary Interior decorator Bruce Buttfield (1897-1969) made his mark in the 1930s by creating distinctive furniture and rooms. In 1931, he designed the interior of the original Whitney Museum building on Eighth Street in New York City. The collection includes photographs and color renderings of Buttfield interiors.
Dates: circa 1930s - 1950s

Catherine Minkiewicz student work

 Collection
Identifier: KA-0115-01
Summary The collection consists primarily of course assignments in the form of a collage, presentation boards, photographs, and a watercolor rendering by interior designer Catherine Minkiewicz (1966) during her studies in Parsons School of Design's Interior Design Department.
Dates: 1964 - 1966

Dan Arje papers

 Collection
Identifier: KA-0001-01
Summary Dan Arje (1923-1993) was a designer and display director for Bonwit Teller. The collection is primarily comprised of albums containing photographs and news clippings about Arje's displays, as well as correspondence regarding his decorating work for the White House during the Kennedy and Johnson administrations, including the decoration of the White House Christmas tree. Also present are materials Arje collected about Bonwit Teller and Tiffany's designer Gene Moore.
Dates: 1949 - 1981

Edith d'Errecalde papers

 Collection
Identifier: KA-0023-01
Summary Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear company, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The d'Errecalde papers consist of photographs, sketches, news clippings, advertisements, press kits, correspondence, and notes and manuscripts for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design in 1969-1970.
Dates: circa 1940s-1981

Edward J Wormley papers

 Collection
Identifier: KA-0048-01
Abstract Edward Wormley (1907-1995) is often cited as one of the top 20th century designers of American modernist furniture. Beginning at the Dunbar Furniture Company at the age of 23, Wormley eventually became sole designer for the company and maintained a partnership Dunbar for more than three decades. In the 1950s, many of his designs received Good Design designations at the annual Chicago Merchandise Mart/Museum of Modern Art exhibition. Wormley taught at Parsons School of Design between 1952 and...
Dates: circa 1908-1991