Fred Brenner (1920-2006) was a fashion illustrator specializing in menswear, who taught illustration at Parsons School of Design from 1962 until 1984. This collection is comprised of approximately forty original fashion illustrations, as well as a smaller number of publications featuring his work, reprints and pre-print process work.

Interior designer and Parsons School of Design alumna Henriette Granville Suhr (1917-2015) specialized in merchandising and display design. This collection represents her work for such manufacturers, retailers, and designers as Baker Furniture, Bloomingdale's, and T. H. Robsjohn-Gibbings.

These papers contain drafts, outlines, notes, and manuscripts authored by Horace Meyer Kallen (bulk 1930s-1960s), documenting his career as a founding professor of philosophy at the New School for Social Research (1919-1974). His papers also contain writings by others and research material in the form of offprints and printed journals. Many topics center on religion and his work with Jewish organizations during the 1950s-1960s.

This collection consists of primarily press clippings, along with a small amount of biographical material, by and about James Nuckolls, a lighting designer and professor at Parsons School of Design from 1970 until his death in 1987.

Ranging from the 1920s through the 1960s, this collection consists of files Jessica Rummel kept for her New York City-based interior decoration business, which operated during at least part of this period as Harding & Rummel, Inc. The files, which Rummel arranged, include small drawings, watercolors, site plans, and tracings of decorative elements, furniture, textiles, and interior layouts produced by Rummel in the course of her business.

The collection also includes vendor literature, magazine and catalog clippings, postcards, price lists, and business correspondence. Rummel was on the faculty of the New York School of Fine and Applied Art (later, Parsons The New School for Design) in the Interior Architecture and Decoration Department from 1921 through 1934.

French-born Joset Walker (1902-1999) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928, and became a leading designer of ready-to-wear clothing for Saks Fifth Avenue's Theatrical Department. In 1932, Walker served briefly as head costume designer for RKO Pictures. After returning to New York and designing for manufacturer David M. Goodstein, Walker left to found Joset Walker Designs.

Often incorporating Mexican and Guatemalan textiles, colors and styles into her designs for the American market, Walker reached the pinnacle of her career in the 1940s and '50s as a designer of casual, feminine clothing for women. The Joset Walker collection includes pages from Walker's scrapbooks, largely comprised of clippings of advertisements for her designs, but also including publicity, photographs of department store window displays, and ephemera documenting Walker's career.

Judith B. Walzer served as the first provost of the New School for Social Research (now, The New School) from 1985 to 1997. The collection contains correspondence, memoranda, program proposals, university budget-related files, and documents pertaining to faculty matters during Walzer’s tenure as provost.

Laura Johnson (died 2002) was a New York City socialite and wife of Saks Fifth Avenue executive F. Raymond Johnson. The collection is primarily comprised of photographic prints and press clippings documenting her extensive wardrobe of couture clothing and active social life between the 1950s and late 1990s.

Lorraine Fox (1922-1976) began her career in commercial illustration in the 1940s, becoming one of the most celebrated female illustrators of the mid-20th century. The collection, spanning the final decade of Fox's life, includes proofs, transparencies and tear sheets of album covers, book illustrations, greeting cards, and advertisements. Fox taught at Parsons School of Design from 1965 until shortly before her death in 1976.

The Lucie Porges fashion design papers include biographical materials, fashion sketches, fashion illustrations and fashion photographs, and teaching records. It is of a primarily professional nature, with little documentation of Porges's personal life. The primary activities documented are Porges's fashion design work for Pauline Trigère and her teaching activities at Parsons School of Design.