Summary The New School Publicity Scrapbook collection consists of fifty-seven scrapbooks compiled for internal administrative use between 1919, when The New School was founded, through 1953. The scrapbooks include newspaper articles and editorials, and administrative documents and correspondence, course catalogs--or Bulletins--weekly supplemental pamphlets (also called Bulletins), ephemera, promotional materials, and invitations to...

Summary The School of Drama, the dramatic arts program of The New School's College of Performing Arts, grew out of an affiliation with the Actors Studio initiated in the 1990s. This record group primarily documents student performances in the form of publicity materials, such as posters, postcards, fliers, and other print formats advertising individual productions and seasons. The record group also contains numerous clippings and printouts of online reviews. Video documentation of...

Summary

The Parsons School of Design Alumni Association was incorporated in 1952 and continued until Parsons School of Design merged into the New School for Social Research in 1970. Records contain correspondence, financial records, minutes, photographic materials, printed materials, scrapbooks of clippings and subject files. Also includes documents generated by earlier alumni associations that the Alumni Association incorporated into its working files.

Summary Robert Mackintosh (1925-1998) was a costume and fashion designer whose design career spanned forty years and twenty Broadway productions. He made his Broadway debut designing costumes for the 1952 musical Wish You Were Here. In the 1960s, Mackintosh branched out into womenswear design with Musette, a juniors label, which was sold at Bergdorf Goodman and Saks Fifth Avenue. He went on to design various other womens and menswear lines in the 1970s. ...

Abstract

Roy Little graduated from Parsons School of Design in 1949 and went on to become a designer for renowned French couturier Jacques Fath. He returned to Parsons as an instructor in 1958 and remained in that position until 1979. The nine numbered sketchbooks held by the New School Archives represent Little's work for Fath.

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The collection is comprised of 75 binders of fashion photographs and press materials promoting Saks Fifth Avenue’s clothing lines between 1954 and 1974, including Sophie Gimbel Originals, ready to wear and custom collections from 1954 to 1967. The photographs, reproductions of fashion sketches, and press releases shed light on Saks' fashion and marketing strategy under Helen O'Hagan, who succeeded Grace de Mun as Saks publicity director.

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Stanley Barrows (1914-1995) graduated from Parsons School of Design in 1940 and taught interior design there for over twenty years, becoming mentor to several generations of notable designers. The collection includes examples of student work compiled by Barrows, course outlines, class travel itineraries, photographs of Italian decorative styles, biographical material, and correspondence from Barrows related to his work as a designer and teacher.

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After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1934, Tom Brigance (1913-1990) became a fashion designer specializing in women's swimwear and sportswear. The collection includes scrapbooks of clippings and photographs of Brigance's designs, sketches, publicity materials, and four original fashion illustrations of Brigance swimwear by Dorothy Hood, produced for Lord & Taylor.

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Violet Holsinger Mueller (1907-2003) studied fashion design at the New York School of Fine and Applied Art (later, Parsons School of Design) from 1926 through 1929. She worked as an interior designer for Stix, Baer & Fuller, a St. Louis-based department store, and founded her own design consultancy in Belleville, Illinois. Her papers include personal materials, and documentation created during her studies at Parsons and her design career.

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After graduating from Parsons School of Design Fashion Design Department in 1973, Zack Carr (1945-2000) worked for B. Altman, Donald Brooks and, most importantly, as creative director for Calvin Klein. In 1984, Carr started his own line, the Zack Carr Collection, before rejoining Calvin Klein in 1987. The papers consist of items produced and compiled between 1969 and 2000, including idea books, photographs, clippings, student work, and sketches.