The New School Archives And Special Collections

This collection is comprised of materials relating to The Mannes College of Music (as of 2024, Mannes School of Music, part of the College of Performing Arts at The New School) commencement and other ceremonies between 1961 and 2013. The collection includes programs from commencements, recognition ceremonies, and dean’s receptions, as well as speech transcripts and correspondence.

This collection consists of news clipping files and scrapbooks that document Mannes from its founding through the early 1990s. The scrapbooks, which cover the school's early history through the 1960s, contain concert programs, advertisements, and news articles. Other scrapbooks, some from before the establishment of Mannes, document the activities of the school's founders, David and Clara Mannes, in their work as musicians and educators.

This collection consists of documents generated and compiled by the office of the dean of the Mannes School of Music at The New School from 1989 to 2004, during the tenures of deans Charles Kaufman and Joel Lester. The documents include reports, publicity information, memoranda, and correspondence. The collection also includes letters of commendation to the Mannes College of Music written by noted musicians in 1958.

This collection contains several thousand photographs relating to the Mannes School of Music, from its early days in the 1910s through the 2000s, primarily representing the 1970s through the 1990s. Included are images of Mannes buildings; performances put on by different Mannes ensembles; administrative and academic events; the Mannes family; and Mannes personnel, including students, faculty, alumni, and guest artists and performers.

After graduating from Parsons School of Design in 1945, Margaret Hodge became director of fashion marketing at Vogue, and in 1967 formed her own fashion publicity firm. Hodge led various marketing campaigns integrating the fashion of Hollywood films. The collection mainly consists of Hollywood promotional material, including publicity photographs, press kits, announcements and tear sheets. Most of the material was produced from 1962 to 1976.

Margaret Louise Lange's notebook, produced while a student of Costume Design and Illustration at Parsons School of Design, 1938-1939, includes lecture notes, sketches, color studies and fashion clippings.

Margaret McKay Tee (1882-1955) came to New York from Cripple Creek, Colorado in 1902 to attend Cooper Union. Frank Alvah Parsons later hired Tee as a student instructor at the New York School of Art. After returning to Colorado, Tee carried on a correspondence with Parsons. Tee's papers include letters from Parsons, photographs of Tee's paintings, and an autobiographical essay relating Tee’s upbringing and her experiences as a young art student.

Consists of two illustrations completed by Margaret Schmid (1922-2001) for an advertising design course at Parsons School of Design. After graduating in 1947. Schmid, whose name changed when she married Paul Hartelius, Jr., went on to a successful fifty-year career as an illustrator and children's book author.

The Margaret Susan Daniell papers consist of biographical materials, a student notebook and drawings from her education at Parsons School of Design in the late 1920s, and two photographs. Daniell (1907-1998) studied fashion design at Parsons and later worked at Paramount Studios.

Margery Knight (1906-1994) taught figure drawing and fashion illustration at Parsons School of Design from 1946 to 1969. The twelve sketchbooks in this collection, dating from the 1950s to 1980, contain rapid figure and fashion sketches, lecture notes, and anatomy studies.