The collection consists of 68 prints out of a set of 70 from woodcuts created by Romanian-born painter Arthur Segal (1875-1944) between 1912 and 1919. The prints, from Segal's original blocks, were made on handmade paper by William Carter, and published by Richard Nathanson.

The collection consists of work by eighteen artists who worked in the printmaking medium in Great Britain in the 1960s and 70s. Includes work by David Annesley, Patrick Caulfield, Pierre Celice, Bernard Cohen, Elisabeth Frink, Patrick Heron, Gordon House, John Hoyland, Patrick Hughes, Liliane Lijn, Kim Lim, Kenneth Martin, Nicholas Monro, Tom Phillips, Patrick Procktor, William Scott, Colin Self, and William Turnbull.

Three impressions from an edition of 100 prints produced in 1974 from a zinc-plate etching created in 1933. The etching is divided into six small panels in which each of the artists etched a portrait of another member of the group.

Four lithograph prints on Strathmore Cover by Rico Lebrun (1900-1964) for his book, Drawings for Dante's Inferno, Kanthos Press, 1963. 2000 copies of the book were printed, each containing four original lithographs. In his preface, Leonard Baskin, the book's designer, refers to Lebrun as "Goya's child."

American artist and founder of Parsons School of Design William Merritt Chase (1848-1916) etched the two works comprising this collection, "Keying Up--the Court Jester" (1879) and "Spanish Peasant" (circa 1881).