The American Indian College Fund is one of the largest Native-run charity supporting Indigenous students' access to higher education in the United States. The collection consists of advertising posters created by the advertising firm Wieden+Kennedy for the American Indian College Fund.

This collection, compiled by artist and activist Anson Seeno, consists of posters, fliers, and other graphic materials representing activist movements in Nicaragua and El Salvador, against gentrification and combatting homelessness in New York City, the politics of AIDS and U.S. governmental politics. Many of the posters date from the 1980s.

The "Aronson Takeover (Fashion/Values)" pop-up exhibition was held in the corridor portion of the Arnold and Sheila Aronson Galleries in the Sheila C. Johnson Design Center at Parsons School of Design, from February 7 to 16, 2023. The collection consists of the posters which comprised the exhibition, and other materials related to the exhibition.

The material in this collection was assembled by New School librarian Carmen Hendershott and transferred periodically to the New School Archives. The collection includes fliers, posters, invitations, program and admissions materials, and event programs produced by multiple university divisions including the New School for Social Research, College of Performing Arts, and Schools of Public Engagement, as well as by academic support centers and offices.

The collection consists of a print for Chermayeff's mural, "Painting by Computer"; an issue of the Harvard Advocate with cover and illustrations by Chermayeff; and two posters.

John Russo (1920-2012) graduated from Parsons School of Design in 1942 and taught at the school from 1946 to 1985. The collection includes printed examples of Russo's whimsical graphics, including fliers, invitations, and posters.

A leading figure in the development of American ready-to-wear clothing, John Weitz (1923-2002) created one of the first American signature menswear lines. Weitz was a visiting lecturer at Parsons School of Design from 1975 to 1995. The collection includes design drawings, exhibition files, scrapbooks, clippings, photographs, and audiovisual recordings of promotional campaigns, fashion shows and television commercials.

The collection consists of student work and records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design from 1968 to 1970. In addition to project files for portable structures, underwater and outer space habitations, and a one-piece plastic chair, the collection includes materials documenting the first Earth Day observances at Parsons.

After graduating from Parsons School of Design in 1945, Margaret Hodge became director of fashion marketing at Vogue, and in 1967 formed her own fashion publicity firm. Hodge led various marketing campaigns integrating the fashion of Hollywood films. The collection mainly consists of Hollywood promotional material, including publicity photographs, press kits, announcements and tear sheets. Most of the material was produced from 1962 to 1976.

Collection consists of Eugene Lang College Religious Studies professor Mark Larrimore's teaching and subject files. Student work in the form of publications and posters advertising campus events are heavily represented.