Abstract Alfred Corning Clark (1844-1896), heir to a large part of the Singer sewing machine fortune, was an American art patron and philanthropist who traveled extensively in Europe, meeting many prominent figures in the arts of the late nineteenth century. The collection contains many photographs of those figures, a few of which are autographed, a book of scores containing opera excerpts and art songs by European composers of the period, a song manuscript personally dedicated to Clark,...

Abstract

Chester Weinberg (1931-1985) graduated from Parsons School of Design in 1951 and served as visiting lecturer on fashion design there from 1955 to 1985. Weinberg established his own label in 1966. He later became a consultant and was named design director of Calvin Klein jeans in 1981. The collection contains a scrapbook of news clippings, fashion print ads, and photographs mainly chronicling Weinberg’s work from 1966 to 1975.

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Dan Arje (1923-1993) was a designer and display director for Bonwit Teller. The collection primarily consists of albums of photographs and news clippings about Arje's displays, and correspondence regarding his decorating work for the White House during the Kennedy and Johnson administrations, including decoration of the White House Christmas tree. Also present are materials about Bonwit Teller and Tiffany's designer Gene Moore.

Abstract Eugene Paul Ullman (1877-1953), was an American painter of landscapes, portraits, and still lifes. Ullman studied and later taught with artist William Merritt Chase during the earliest years of the Chase School, predecessor school to what became Parsons School of Design. The collection consists of artwork in the form of sketches and photographs of paintings, correspondence, exhibition catalogs, a scrapbook, and unpublished essay manuscripts. Much of the material is annotated by...

Abstract Consists of 19 scrapbooks containing more than 10,000 prints of fashion illustrations produced between the early 1800s and 1913. The prints primarily depict clothing and accessories designs, with a few depicting theatrical costumes, architectural and sculptural details, and textile designs. Many images were issued as portfolio prints, others cut from books and periodicals, such as Graham's Magazine and Godey's Lady's Book and...

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A compilation of notes, correspondence, and photographs depicting philanthropist Henry Arnhold’s involvement with and contributions to The New School over the course of almost eight decades. This book was created by the New School Development Office on the occasion of Arnhold’s death in 2018.

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Herbert Sondheim (1895-1966), who lectured at Parsons School of Design in 1946, ran a dressmaking firm that produced affordable versions of Parisian high-end fashion. The collection consists of nineteen Herbert Sondheim, Inc. scrapbooks, most of which contain fashion sketches. Some books include sketches depicting work of other couture houses. Two books contain news clippings, photographs and correspondence from the mid-1940s.

Abstract

Entitled, "My Memory Book of Musical Experiences," this scrapbook was kept by Janet Mabon (1904–1965), a voice student at the David Mannes Music School from 1923 to 1925. The scrapbook contains black and white photographs of Mabon, her friends, and her voice teacher, Giulio Silva; concert and recital programs; school progress reports; press clippings; and correspondence.

Abstract

A leading figure in the development of American ready-to-wear clothing, John Weitz (1923-2002) created one of the first American signature menswear lines. Weitz was a visiting lecturer at Parsons School of Design from 1975 to 1995. The collection includes design drawings, exhibition files, scrapbooks, clippings, photographs, and audiovisual recordings of promotional campaigns, fashion shows and television commercials.

Summary French-born Joset Walker (1902-1999) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928, and became a leading designer of ready-to-wear clothing for Saks Fifth Avenue's Theatrical Department. In 1932, Walker served briefly as head costume designer for RKO Pictures. After returning to New York and designing for manufacturer David M. Goodstein, Walker left to found Joset Walker Designs. Often incorporating Mexican and Guatemalan...