Fine arts.
Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to physical objects that are that are meant to be perceived primarily through the sense of sight, are of high quality, requiring refined skill in creation, and typically using the media of painting, drawing, or sculpture. It may also refer to architecture and design. Although there is overlap, fine art is generally distinguished from other art forms based on the media, extent of skill, and the level of formal training required. It is distinct from "decorative arts" in that the fine arts are art in which the aesthetic or intellectual expression is more prominent than the utilitarian purpose. It is distinct from "crafts," which are handiworks of media such as ceramics, glass, needlework, or any medium other than painting, drawing, sculpture, or architecture. It is also distinct from "commercial art," which is created to serve commerce such as in advertisements or illustration. On the other hand, the term "fine arts" may be used in a broader sense, to include the arts of poetry, music, and filmmaking. (lcsh uses "Arts" which is not specific enough).
Found in 1 Collection or Record:
Collection of prints by eighteen British artists of the 1960s and 1970s
Collection
Identifier: KA-0095-01
Abstract
The collection consists of work by eighteen artists who worked in the printmaking medium in Great Britain in the 1960s and 70s. Includes work by David Annesley, Patrick Caulfield, Pierre Celice, Bernard Cohen, Elisabeth Frink, Patrick Heron, Gordon House, John Hoyland, Patrick Hughes, Liliane Lijn, Kim Lim, Kenneth Martin, Nicholas Monro, Tom Phillips, Patrick Procktor, William Scott, Colin Self, and William Turnbull.
Dates:
1966 - 1979