Contact sheets, film negatives, and individual photographic prints by Bonnie Geller-Geld, documenting events and classes at The New School, circa 1986-1994. Events include performances, lectures, and panel discussions, and classroom scenes include students working on art and design projects, in music classes, and sitting in lectures.

Interior designer and Parsons School of Design alumna Henriette Granville Suhr (1917-2015) specialized in merchandising and display design. This collection represents her work for such manufacturers, retailers, and designers as Baker Furniture, Bloomingdale's, and T. H. Robsjohn-Gibbings.

Laura Johnson (died 2002) was a New York City socialite and wife of Saks Fifth Avenue executive F. Raymond Johnson. The collection is primarily comprised of photographic prints and press clippings documenting her extensive wardrobe of couture clothing and active social life between the 1950s and late 1990s.

Malcolm Carter became director of The New School's university communications in 1985. The Malcolm Carter University Communications records document the three primary areas of activity over which Carter had oversight: advertising and marketing; public relations; and publications. Materials include memoranda, letters, reports, and printed materials, encompassing the range of Carter's activities.

This collection consists of documents generated and compiled by the office of the dean of the Mannes School of Music at The New School from 1989 to 2004, during the tenures of deans Charles Kaufman and Joel Lester. The documents include reports, publicity information, memoranda, and correspondence. The collection also includes letters of commendation to the Mannes College of Music written by noted musicians in 1958.

After graduating from Parsons School of Design in 1945, Margaret Hodge became director of fashion marketing at Vogue, and in 1967 formed her own fashion publicity firm. Hodge led various marketing campaigns integrating the fashion of Hollywood films. The collection mainly consists of Hollywood promotional material, including publicity photographs, press kits, announcements and tear sheets. Most of the material was produced from 1962 to 1976.

These records were created by the dean's office of the adult education division of The New School (as of 2022, Schools of Public Engagement), and predominantly reflect the activities of two deans, William Birenbaum and Allen Austill, 1961-1979. A subset of records document the formation of New School College in the 1960s, the Institute for Retired Professionals, and the Physicians Assistant program. A number of files are restricted due to confidentiality.

The New School's Publicity Office began issuing the New School Bulletin in 1927. The Bulletins contain announcements about lectures, exhibitions, performances and other campus events, information about selected courses, school news, and brief editorial features by New School presidents and others. The Bulletin was issued inconsistently beginning in 1927, weekly from 1943 to 1961, and with decreasing frequency before ceasing publication in 1971.

This record group consists of photographic records created, commissioned and compiled by The New School's Communications and External Affairs office. The collection consists of images of campus facilities, faculty and administrators, dominated by images of Parsons School of Design classes, the Parsons fashion critics awards, commencement ceremonies, and guests of Inside the Actors Studio. While there are photographs from earlier decades, the prints, negatives, transparencies, and thumbnail printouts of digital image files largely represent the university in the 1990s through early 2000s.

This record group documents the activities of The New School's Communications and External Affairs (CEA) office, one of the university's largest administrative units. CEA was the successor administrative unit to the New School Publicity Office, and the New School Communications Office, respectively. The bulk of materials here date from the late 1990s through 2013, and includes digital photographs, printed publicity samples, posters, and project files consisting of analog and digital records from the Design and Publications Office of CEA.