Summary

Constance P. Brown attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1913 to 1917, and worked as secretary to Frank Alvah Parsons in the teens or 1920s. The collection consists of correspondence from Parsons to Brown, faculty announcements, school circulars, interior decoration class rolls, clippings from 1913-1934, and correspondence with Parsons School of Design Alumni Association.

Abstract

Dorothy Haon (1898-1995) attended the New York School of Fine and Applied Art (later, Parsons School of Design) in 1923-1924, and went on to careers in fashion design and merchandising. The collection, which spans the late 1930s through the 1950s, includes working sketches and notes, cloth patterns, fabric samples, and business records. Also included is work by Dorothy's sister, Marion Haon.

Summary

In 1950, fashion designer James Galanos (1924- ) started Jimi Originals with Mary Scourby. The company only existed for a short time, but it was the first company to market Galanos' creations under his name. The collection consists of twelve Jimi Originals fashion sketches as well as invoices and notes. Galanos was a critic at Parsons School of Design from 1962 to 1968.

Summary

Mary Frances Gettrust graduated from the New York School of Art (later, Parsons School of Design) in 1939 with a diploma in Costume Design and Illustration, and served as an instructor of Costume Illustration at Parsons in the 1940s. The collection consists of a partial student notebook of costume sketches, printed samples of Gettrust's work as a fashion illustrator, correspondence from Parsons Alumni Association, and Parsons-related ephemera.

Summary Michael Kalil (1943-1991) was an interior architect, philosopher, educator and artist, known for his innovative work with new materials and for humanizing digital technologies. From 1981 to 1991, he was the principal of Kalil Designs/Kalil Studio, a firm that specialized in high-profile commercial, prototype and theoretical, and residential design commissions. Kalil also served as an adjunct faculty member at the Parsons School of Design. The collection includes Kalil's...

Abstract The collection consists of records originating from the office of Mary Urban, who coordinated fundraising and public relations efforts at the New School in the 1940s and early 1950s, and that of her successor, Margarete Westmann, director of Development from 1958-1962. Materials include memoranda and correspondence, financial statements, budgets, advertising contracts, donor and prospect records, and New School Associates membership records. Also includes event planning...

Summary

The Human Relations Center was a long-running program (1951-circa 1986) at the New School organized by women and directed primarily toward the personal, social and career development of women. The collection consists primarily of materials dating from the 1970s, and includes publicity materials regarding courses, seminars and public programs and materials connected to the partnership with the Head Start program, and special training programs.

Summary This collection largely documents the activities of the New School Publicity Office during the 1940s and 1950s, and reflects the range of activities of the department under the leadership of Agnes De Lima, who directed the department for two decades. The collection includes notes and draft materials for the production of press releases, articles in the weekly New School Bulletin, advertisements and course promotion, and administrative materials. ...

Summary The New School Publicity Scrapbook collection consists of fifty-seven scrapbooks compiled for internal administrative use between 1919, when The New School was founded, through 1953. The scrapbooks include newspaper articles and editorials, and administrative documents and correspondence, course catalogs--or Bulletins--weekly supplemental pamphlets (also called Bulletins), ephemera, promotional materials, and invitations to...