Alice Halicka prints
Scope and Content of Collection
Includes prints numbered 43 and 184 from an edition of 220 created by Alice Halicka. Depicts the Place de la Concorde in Paris, including the Luxor Obelisk and a detail from the Fontaine des Mers, consisting of a naiad holding a fish.
- Halicka, Alicia (Artist, Person)
Conditions Governing Access
Collection is open for research use. Please contact email@example.com for appointment.
To publish images of material from this collection, permission must be obtained in writing from the New School Archives. Please contact: firstname.lastname@example.org.
Alice (also spelled Alicia and Alicja) Halicka (1895-1975)--Polish painter, illustrator, set and costume designer--moved to France in 1912, marrying Polish artist Louis Marcoussis in 1913. While influenced by the Cubist and Surrealist art movements, Halicka continually experimented with new styles and subject matter, and, owing to a connection made through the artist Raoul Dufy, designed textiles, as well. In 1937, during a three year stay in New York, Halicka designed sets for the George Balanchine/Igor Stravinsky ballet, "Baiser de la Fée," and costumes for a Broadway musical. In 1946 Halicka published a memoir, "Hier, Souvenirs."
0.1 Cubic Feet (2 prints (19 x 25 in))
Language of Materials
Other Finding Aids
For selected item-level description and images from the Alice Halicka prints, see The New School Archives Digital Collections at http://digitalarchives.library.newschool.edu/index.php/Detail/collections/KA0096.
Immediate Source of Acquisition
The accession date and origin of this print are unknown. The print was found in the Kellen Design Archives in 2009 amongst a collection of prints by British artists from the 1960s and 1970s, as well as other formerly unidentified prints.
- Guide to the Alice Halicka prints
- July 22, 2011
- Description rules
- Describing Archives: A Content Standard
- Language of description
- Script of description