KA. Kellen Design Archives Collections
Found in 148 Collections and/or Records:
Summary Collection consists of Adele Mowton DuBreuil's diploma from the New York School of Fine and Applied Art (now, Parsons School of Design) in advertising display, a black and white photographic portrait of her as a young woman after graduation, and 24 small, black and white photographic prints depicting her graphic design work from her time as a student, 1917-1919. Most of the designs are advertisements for consumer goods, although two are World War One propaganda posters encouraging the...
Dates: 1917 - 1923; Majority of material found within 1917 - 1919
Abstract Mary Adrienne Steckling Coen (1934-2006) graduated from Parsons School of Design's Fashion Design Department in 1958. In 1966, "Adri" -- her professional name -- developed her own line and continued designing under her own labels for the rest of her career. In 1982, Adri received the prestigious Coty American Fashion Critics "Winnie" award. The records document Adri's business and professional life, with materials largely arranged according to year and season. Includes clippings and tear...
Dates: 1960 - 2007
Summary Albert Hadley (1920-2012) graduated from Parsons School of Design in 1949 and served on the faculty from 1949 through 1954. Hadley later joined Dorothy "Sister" Parish to form the interior design firm Parish-Hadley. The collection includes correspondence, design and lecture notes, student work and a mock-up for a booklet.
Dates: 1947 - 1999
Abstract Typographer Albert Schiller (1898-1970) created artworks using pre-cast metal type elements. The collection is comprised of 35 type pictures and printing samples featured in a 1976 exhibition at Parsons School of Design.
Dates: 1927 - 1964
Scope and Content of Collection Includes prints numbered 43 and 184 from an edition of 220 created by Alice Halicka. Depicts the Place de la Concorde in Paris, including the Luxor Obelisk and a detail from the Fontaine des Mers, consisting of a naiad holding a fish.
Abstract The workbook that comprises this collection was used during the Amos Parrish Fashion Merchandising Clinic, held in New York City, January 6-10, 1930. Parrish's clinic was offered once and sometimes twice annually from the 1920s through 1955 to forecast the year's trends for the fashion industry. This workbook belonged to Howard Phillips, merchandise manager for the Ernst Kern Department Store, Detroit, Michigan, and was heavily annotated by Phillips during his week at Parrish's clinic.
Summary André and Creators Studios were Seventh Avenue fashion businesses that marketed their designs to clothing manufacturers by subscription. In the mid-1970s Pearl Alexander Lipman, André's co-owner and designer since the 1930s, retired, and the company's design drawings were sold to Creators Studios. The collection consists of reproductions of designs -- some vibrantly hand-colored -- produced and distributed by the two companies between 1937 and 1972.
Dates: 1937 - 1972
Summary After graduating from Parsons School of Design in 1943, Andrée Golbin (1923-2006) led a long career as a painter, graphic artist and illustrator. In addition to serving as art director for Mademoiselle magazine in the early 1950s, Golbin created artwork for a diverse roster of clients, including several modern dance companies, Henri Bendel, and American Cyanamid. The New School Archives holds examples of Golbin's drawings and completed projects in the form of...
Dates: 1947 - 1996