Summary

A collection of forty-eight watercolors on forty-four leaves of paper by artist Miriam Cahn depicting jazz performances she attended at the New School for Jazz and Contemporary Music and elsewhere in New York City between 1995 and 2002.

Abstract

Miriam Kartch (1924-) was a longtime faculty member of Mannes School of Music, starting under Clara Damrosch Mannes in 1945 and retiring in 2015. This collection consists of administrative documents and notes from Kartch’s tenure at Mannes, most dating from the 1970s to 1990s.

Abstract

The scrapbook, compiled by Nellie Lane Woodruff (1867-circa 1944), contains ephemera about opera singer Lilli Lehmann (1848-1929). It appears from the contents of the scrapbook that Lehmann and Woodruff were acquaintances, if not friends. The scrapbook contains photographs, clippings, programs, and other ephemera documenting Lehmann's professional singing career at the Metropolitan Opera of New York, the Bayreuth Festival, and at other venues.

Abstract

This collection consists of music manuscripts created by composer Peter Pindar Stearns (1931-2016), who taught composition at The Mannes School of Music from 1957 to 1989. The manuscripts include both secular and religious works composed during the period from 1948 to 2013 and the collection also contains correspondence related to the publishing of Stearns's compositions and copies of the published works.

Summary

Risë Stevens (1913-2013) was an operatic mezzo-soprano, actress, and a music administrator who served as president of the Mannes College of Music from 1975 to 1978. The collection contains performance scores of Broadway and jazz standards of the 1930s and 1940s arranged for her, likely for use in her commercially recorded albums of such standards.

Summary

Sylvia Marlowe (1908-1981) was an important mid-twentieth century American harpsichordist. The Sylvia Marlowe collection documents her performance career, predominantly through scores, many inscribed to her by composers. Additionally, photographs and textual publicity materials provide further context for Marlowe's performances and recordings.

Abstract Harpsichordist Sylvia Marlowe (1908-1981) contributed to popularizing harpsichord music and promoting new works for the harpsichord in the twentieth century. The collection includes personal correspondence, photographs, clippings and programs, contracts and wills, analog audio reels of important albums Marlowe recorded, and a set of scores of classical pieces set in contemporary popular arrangements composed for Marlowe. The collection also contains correspondence and documents relating to...

Summary

Music manuscripts and books collected by Victor Hammer, including a copy of Ein Beitrag zur Ornamentik by Heinrich Schenker, musical sketches and three books of lute tablature, correspondence of Carolyn Reading Hammer with Clifford Wurfel and Robert Lang of the University of California at Riverside Library, a drawing of Hans Weisse by Victor Hammer, and manuscripts of compositions by Hans Weisse, with dedications to Victor Hammer.

Abstract

Walter Damrosch (1862-1950) was a Prussian-born American conductor and composer associated with opera and with early radio broadcasts of classical music. This collection contains scores collected and/or used by Damrosch, including his own piano arrangement of a Franz Liszt composition.