Consists of 19 scrapbooks containing more than 10,000 prints of fashion illustrations produced between the early 1800s and 1913. The prints primarily depict clothing and accessories designs, with a few depicting theatrical costumes, architectural and sculptural details, and textile designs. Many images were issued as portfolio prints, others cut from books and periodicals, such as Graham's Magazine and Godey's Lady's Book and Magazine.

Fred Brenner (1920-2006) was a fashion illustrator specializing in menswear, who taught illustration at Parsons School of Design from 1962 until 1984. This collection is comprised of approximately forty original fashion illustrations, as well as a smaller number of publications featuring his work, reprints and pre-print process work.

J. Hyde Crawford (1930-2013), an alumnus of Parsons School of Design, was a successful fashion illustrator associated with Bonwit Teller department store. This collection is comprised of approximately fifty original drawings and one hundred clippings and tearsheets documenting Crawford's illustration work.

A small collection of menswear, sportswear and department store catalogs spanning the late 1960s into the mid-1970s.

Eighteen original fashion illustrations donated by the menswear fashion magazine, DNR (Daily News Record). Sketches in the collection are executed in colored pencil, marker, and watercolors. Designers represented include John Rocha, Tommy Hilfiger, Nina Ricci, Claude Montana, Jose Levy, Paco Rabanne, Gilles Rosier, Joseph Abboud, and Olivier Strelli.

Robert Galster (1923-1991) and Gilbert Ireland (1924-2015) were designers and alumni of Parsons School of Design. Galster worked as a freelance illustrator and designer. Ireland designed window displays for Bergdorf Goodman for over forty years. The collection consists primarily of Galster's work and includes examples of his designs for books, album covers, and theater posters. Ireland's work is represented in photographs of the windows he designed.

The collection also contains student work by both as well as pieces by other designers including Lloyd Evans and Parsons alumnus Roy Little.

The collection is comprised of 75 binders of fashion photographs and press materials promoting Saks Fifth Avenue’s clothing lines between 1954 and 1974, including Sophie Gimbel Originals, ready to wear and custom collections from 1954 to 1967. The photographs, reproductions of fashion sketches, and press releases shed light on Saks' fashion and marketing strategy under Helen O'Hagan, who succeeded Grace de Mun as Saks publicity director.